1. Real Love 2. Circles And X s 3. Tears Of Joy 4. Little Rock Star 5. Honey Bee 6. Well Well Well 7. If Wishes Were Horses 8. Jailhouse Tears 9. Knowing 10. Heaven Blues 11. Rarity 12. Plan To Marry 13. It s A Long Way To The Top

1. Rich Woman 2. Killing the Blues 3. Sister Rosetta Goes Before Us 4. Polly Come Home 5. Gone Gone Gone (Done Moved On) 6. Through the Morning, Through the Night 7. Please Read the Letter 8. Trampled Rose 9. Fortune Teller 10. Stick with Me Baby 11. Nothin 12. Let Your Loss Be Your Lesson 13. Your Long Journey

Perhaps only the fantasy duo of King Kong and Bambi could be a more bizarre pairing than Robert Plant and Alison Krauss. Yet on Raising Sand, their haunting and brilliant collaboration, the Led Zeppelin screamer and Nashville s most hypnotic song whisperer seem made for each other. This, however, is not the howling Plant of Whole Lotta Love, but a far more precise and softer singer than even the one who emerged with Dreamland (2002). No matter that Plant seems so subdued as to be on downers, for that s one of the keys to this most improbable meeting of musical galaxies--almost all of it seems slowed down, out of time, otherworldly, and at times downright David Lynch-ian, the product of an altered consciousness. Yet probably the main reason it all works so well is the choice of producer T Bone Burnette, the third star of the album, who culled mostly lesser-known material from some of the great writers of blues, country, folk, gospel, and R&B, including Tom Waits, Townes Van Zandt, Milt ...

#Hypnotic (2008-08-19) I was hesitant about this purchase but once I listened to it. . WOW!! Very relaxing and the 2 voices were ment to sing together. It s a perfect cd for a romantic night or a diner party. Robert Plant is a man of many talents. . from ROCK GOD OF THE 70 S to a mature and mello Rock God!!!

#GREAT CD (2008-01-22) Being a Zep fan it was hard to imagine how this work would turn out but it is fantastic. It may take a bit to get used to a more mellow Robert Plant but the more you listen the more addictive it becomes. A great addition to any cd collection regardless of your taste in music.

#Superb! (2008-01-08) I recommend this album to all music lovers regardless of your genre leanings. Krauss voice is simply stunning (I cannot think of a female vocalist with a more pure, subtle or beautiful voice) and Plant has finally learned to sing properly!!! Don t get me wrong -- I am a dedicated Zep fan -- but this is the first time I have heard his voice truly shine. Love this album s version of Please Read the Letter and Sister Rosetta gives me goosebumps. Highly, highly recommended. It s too bad the immature and vacuous review by Jean-pierre Falardeau Jeeparoo had to scar t...

#Borefest (2008-01-03) Boring. . . . . Boring. . . . . . . . Why did plant do this I don t know. . . . He must be gettin old. Good CD if you are an insomniac !!! zzzzzzzzzzzzzzzz

#Quite Over-Hyped, But Still Pretty Good! (2007-12-30) This album has received a ton of hype, and in some senses it is warranted. The combination of Plant and Krauss is in itself something of a spectacle that is guaranteed to get attention. But I m struck with the fact that they actually go together pretty well musically! It sounds like they ve been together for a long time. Throughout, this CD is soothing and composed quaintly. The entire thing has a nice, smooth cohesion to it. But yet, the individual tracks are generally not all that impressive on their own. Only 3 tracks real...

1. Suzanne 2. Sisters of Mercy 3. The Stranger Song 4. Hey, That s No Way to Say Goodbye 5. Master Song 6. Bird on a Wire 7. The Partisan 8. Famous Blue Raincoat 9. Chelsea Hotel No. 2 10. Take This Longing 11. Who by Fire 12. The Guests 13. Hallelujah 14. If It Be Your Will 15. Night Comes On 16. I m Your Man 17. Everybody Knows 18. Tower of Song

This two-disc retrospective traces the Canadian bard s musical maturity from poet and novelist who sang a little to multidimensional artist whose oracular vocals and increasingly rich arrangements are every bit as compelling as his verse. Even when Cohen came to prominence through the 1960s songcraft of Suzanne and Bird on a Wire, the folksinger tag never really fit. Later highlights ranging from the deadpan drollery of Tower of Song and Everybody Knows to the apocalyptic anthemry of First We Take Manhattan and Democracy suggest that other labels might be more appropriate: cabaret surrealist, spiritual gadfly, sensual prophet, agent provocateur. Cohen chose the selections, drawing more than half of the 31 tracks from three landmark albums--his 1967 debut Songs of Leonard Cohen, 1988 s I m Your Man, and 1992 s The Future--along with four from 2001 s Ten New Songs. The collection justifies its title as deep as it goes, though it s a shame that Cohen s commercial profile couldn t justify ...

#The Essential Leonard Cohen [LIMITED EDITION] [ORIGINAL RECO (2004-06-29) The Essential Leonard Cohen [LIMITED EDITION] [ORIGINAL RECORDING REMASTERED]~ Leonard Cohen is an amazing collection of cohens awesome tallent for lyric writing and his scrappy but loveable vocals. He is a serious man: yet it is never pretentious or boring. Which often happens with other vocalists of his God given tallent.

#cheatin and stuff (2004-05-08) Leonard Cohen is the one man I would cheat on my husband with. Yes, ma am.

#Potrait of An Artist As Both A Sage and Sinner (2004-05-03) The beauty of Leonard Cohen is he has always followed his own eccentric path and I see no duality between Cohen, the young romantic rake who ages into the embittered sensualist. It was always clear that Field Commander L. Cohen was going to dance us to the end of love, regardless of the consequences. Wheter it s the young revolutionary partisan, or the world weary cynic railing against the excesses of democracy, Cohen has never been satisfied with the political or moral status quo. His career is based on dissatisfaction wi...

#A Suitable Primer (2004-03-29) The name Leonard Cohen first came to my attention way back in the day when Suzanne was released. It was a fairly popular and much-covered song, but it never occurred to me to actually buy the album. I was into much musically heavier things at the time and so my awareness of Cohen gradually receded into distant memory. Nowadays, my musical interests are much wider and my pockets deeper, so I took a chance on Cohen s CD Ten New Songs when it was released several years ago. It took a while to get into, but I liked some of the songs immediately. My rule w...

#Thank God for Leonard Cohen (2004-01-04) This is a must for any Leonard Cohen complete-ist s collection! I have every CD he s ever put out and yet I find myself frequently choosing this set in order to conveniently listen to favorites from a variety of Leonard s previous CDs. A fabulous collection from an amazing artist!

1. You Are the Best Thing 2. Let It Be Me 3. Sarah 4. I Still Care for You 5. Winter Birds 6. Meg White 7. Hey Me, Hey Mama 8. Henry Nearly Killed Me (It s a Shame) 9. Falling Through 10. Gossip in the Grain

#Some Gossip Should be Spread (3.5/5) (2008-10-27) Despite that I adore LaMontagne s voice, his vibe, and his writing (as old-school folk as his lyrics may be, with words like woman and phrases like oh lord ), I have found in the past, many of his songs to be lacking a certain kind of spark, sure, LaMontagne has passion, yards and yards of it in fact, and he s certainly extraordinarily skillful, but many of his songs have never quite hit the right note for me. They are frustratingly throwaway soul throwbacks that combine retro arrangements with bland pop delivery. A voice like ...

1. O Holy Night 2. Away in a Manger 3. Ding Dong Merrily on High 4. White Christmas 5. Silent Night 6. Christmas Pipes 7. Christmas Song 8. Carol of the Bells 9. Have Yourself a Merry Little Christmas 10. Panis Angelicus 11. Don Oíche Úd I mBeithil (That Night in Bethlehem) 12. O Come All Ye Faithful 13. Little Drummer Boy 14. Wexford Carol 15. Let It Snow!

One of the more impressive things about A Christmas Celebration is its glowing immediacy. The record s rich vocals and colorful instrumentals create a concert-like setting, reprising the season s most loved hymns, carols, and pop standards, along with a Gaelic version of That Night in Bethlehem. Unexpected numbers such as Christmas Pipes and Carol of the Bells (here led by the spirited violin playing of Meav Ni Mhaolchatha) only enhance an already engaging disc that finely weaves between the piety of classical music and the playfulness of pop. Chloe Agnew, Orla Fallon, Lisa Kelly, and Mariread Nesbitt combine their Celtic voices against orchestral arrangements and sparser settings--spiked with the traditional Irish fare of uilleann pipes, harp, and ancient choral harmony--to deliver an assortment of reverent but lively arrangements that wouldn t be out of place at a church, concert hall, or good Irish celli. --Martin Keller